Representation of Forms of Sexual Harassment in Women Through Film in the Perspective of Muted Group Theory

  • Dwi Kartikawati Universitas Nasional, Jakarta, Indonesia
  • Chika Azrilla Aryanto Universitas Nasional, Jakarta, Indonesia
Keywords: Representation, Sexual Harassment, The Muted Group Theory, Semiotics.

Abstract

Sexual harassment is a serious issue that takes many forms, such as exploitation, coercion, or sexual abuse without consent. This type of harassment is a form of gender injustice that can manifest in various forms of marginalization and subordination towards women. Women can feel restricted in their ability to express themselves freely due to the dominance of men in society. As a result, there has been an increase in the number of cases of sexual harassment of women in society. This has prompted film directors to address the issue in their works, such as the film Virgin the Series. This research aims to analyze the representation of sexual harassment towards women in this film, which is available on the Disney+Hotstar application, using the perspective of muted group theory. The theoretical framework used in this study includes the concept of representation by Stuart Hall, the concept of sexual abuse, adolescence, and women, as well as Roland Barthes's semiotic theory and the grand theory of silence (The Muted Group Theory). The researchers utilized a qualitative research method and applied Roland Barthes's semiotics approach to analyze the text and visuals in this film. The findings indicate that the film portrays various forms of sexual harassment toward women, such as physical, oral, non-verbal, gestural, visual, and psychological harassment. These depictions further strengthen the position of women as subordinates, as explained by the muted group theory

References

Aspers, P., & Corte, U. (2019). What is Qualitative in Qualitative Research? Qualitative Sociology, 42(2), 139–160. https://doi.org/10.1007/s11133-019-9413-7

Caradeux, D. A., & Salom, L. G. (2013). Social Representation of Gender in Award-winner Short Films in Spain. Procedia-Social and Behavioral Sciences, 95, 126–135. https://doi.org/10.1016/j.sbspro.2013.10.631

Harsono, M. (2003). Berbagai Bentuk dan Akibat Pelecehan Seksual di Tempat Kerja: Sebuah Kajian Awal. Jurnal Akuntansi dan Bisnis Universitas Sebelas Maret Surakarta, 3(1), 78–87.

Mc Quail, D. (2010). Teori Komunikasi Massa: Suatu Pengantar (Erlangga). Surabaya.

Prameswari, S. D. (2023, April 20). Gawat! Indonesia Darurat Pelecehan Seksual. Retrieved from https://yoursay.suara.com/kolom/2023/04/20/210000/gawat-indonesia-darurat-pelecehan-seksual

Siswanto, N., Luik, J. E., Angela, C., Prodi, W. (2022). Representasi Kekerasan Seksual Dalam Film Penyalin Cahaya. Jurnal E-Komunikasi Program Studi Ilmu Komunikasi Universitas Kristen Petra, Surabaya, 1–12.

Smelik, A. (1993). And the mirror cracked: Metaphors of violence in the films of Marleen Gorris. Women’s Studies International Forum, 16(4), 349–363. https://doi.org/https://doi.org/10.1016/0277-5395(93)90026-6

Sobur, A. (2013). Semiotika Komunikasi. Bandung: Remaja Rosdakarya.

Wahyuningsih, S. (2014). Kearifan Budaya Lokal Madura Sebagai Media Persuasif (Analisis Semiotika Komunikasi Roland Barthes dalam Iklan Samsung Galaxy Versi Gading dan Giselle di Pulau Madura). Sosio Didaktika, 1(2), 171–180. https://doi.org/10.1109/TAES.2018.2864409

West, R., & Turner, L. H. (2010). Introducing Communication Theory. McGraw Hill.

Published
2023-10-04
How to Cite
Kartikawati, D., & Aryanto, C. A. (2023). Representation of Forms of Sexual Harassment in Women Through Film in the Perspective of Muted Group Theory. International Journal of Science and Society, 5(4), 652-664. https://doi.org/10.54783/ijsoc.v5i4.833